The Q for R, the MCBF and the MCBC were created to
• prove at least two impossible impossibilities to be
far more possible than merely possibly possible,
The Q for R, the MCBF and the MCBC were created to
• prove at least two impossible impossibilities to be
far more possible than merely possibly possible,
The Q for R, the MCBF and the MCBC were created to
• inform and entertain a wide audience,
While on the train, landscape constantly passes by,
weather always happening, calm and clear and bright, dark and dreary, cold or hot, warm or cool,
windy, breezy or still, rain, snow, sleet, rarely hail, clouds, clouds seemingly forming wispy shapes,
cars, trucks, other trains, signs, backyards, buildings, homes, equipment, planes, helicopters, blimps,
streets and roadways and pathways and cemeteries, wide-openness,
shopping centers, stores, restaurants, small businesses,
and an unforeseeable number of unique individuals enacting
an unforeseeable number of unique enactments
either relevantly related to I from Subliminet, or, not relevantly related at all,…
What is a synchronologist?
What does a synchronologist do?
…This information, along with other information soon to be disclosed over the coming weeks and months,
will eventually be given to a statistician to calculate the probability of
each of these occurrences occurring as each of them has individually,
and also calculate the probability of all of these occurrences occurring within the context of
a single individual, within the context of the lifetime of a single individual,…
I from Subliminet’s place of work is immediately encircled
by asphalt and concrete and steel and glass and water
and motor vehicles of all types and shapes and sizes and functions
as well as marine and aviation vehicles
of all types and sizes and functions,
vehicles as small as a pair of roller skates to as large as a jet
or a helicopter or even a cruise ship as large as,
if not larger than the iconic edifice I from Subliminet works within,
an edifice designed by an architect that has also designed art
for the Louvre,
artwork that represents brilliance in engineering from the distant past
but also represents an iconic shape that differs not, except in depth, from another edifice
within which it is possible to safely and successfully enact
a new and unique and never before safely and successfully enacted salubrious technique,…
When not inscribing,
I from Subliminet either resides or works.
I from Subliminet works within a location immediately bordered
by two venues previously determined to be “miraculous” in the media
at one time or another, for some reason or another.
I from Subliminet work at the crossroads of two miraculous venues,
but there is also a second crossroads bordering,
a second crossroad formed by another venue bordering this location,
a venue represented by the indicia 1 and 1.
A miraculous venue to the South,
a miraculous venue to the West,
a venue marked as 11 to the East,
and to the North, a venue demarcated for years by a 9 and by a 3,
both of which combine somehow to signify the location
I from Subliminet currently resides,
a residence that has also been named for its central location,
a location centered within all other venues surrounding it.
I from Subliminet,
while riding along two parallel strips of steel,
commutes from I from Subliminet’s place of residence
to I from Subliminet’s place of work
which also is considered to be at the center of
all other similar venues around it,
all other venues that offer amenities extremely similar to
those offered by I from Subliminet’s place of work,
a place of work that is considered to be the center of all centers,
the center of all centers not because of size as compared to
all other similarly functioning centers,
but the center of all centers because of location,
not because of location within the center of all other similar centers,
but because of location within a location
considered by most individuals around the world to be
the capital of the world,
the center of the world, if not the universe.
Walking and riding while commuting or even while working exposes I from Subliminet to chaos,
unpredictable, unforeseeable occurrences.
Each and every day, I from Subliminet gets to stand in and walk through crowds of unique individuals,
while seeing nothing extraordinary and hearing nothing at all until,
out of nowhere, a passing word is uttered or a sentence spoken,
or a shout or a yell or even a whisper can be overheard,
one way conversations conducted over hand-held devices,
one way, two way, or even more ways conversations,
conducted soberly or, on rare occassion, inebriatedly,
babies, toddlers, children, teens, young adults, adults, senior citizens,
in the early morning, the afternoon, late evening,
on the street, on the train, at the station, at work, in a store,
routinely or non-routinely,
or, I from Subliminet will see a picture, a symbol, a sign, a quote,
a statement, a word, a number.
Over the many years of hearing and seeing,
each sight seen and sound heard, each unique in their own way,
each meaningful in their own way,
almost all of them meaningless and irrelevant to I from Subliminet,
but yet, somehow, a few of them, every Now and then,are actually meaningful, relevant, synchronistic.
Sometimes an isolated case occurs,
sometimes none at all occur for weeks and weeks,
sometimes many occur in bunches,
sometimes days upon days of bunches of unforeseeable,
coincidental, meaningfully connected,
acausally connected events and occurrences occur,
synchronicity after synchronicity after synchronicity.
Over the years, I from Subliminet has routinely commuted to work
by foot, by car, by bus, by train, or by boat.